Coatings formulation chemists generally differ in their approaches to paint formulation, since, as individuals, personalities and problem-solving skills come in to play. In addition, if you are at one company for long enough, you may see that there is a preference for a certain supplier which may be the result of relationships formed long before your arrival. These are my suggestions in formulating coatings. There are really three main scenarios:
- Creating a brand new formula for a new application
- Modifying an existing formula to improve performance, etc.
- Using a new raw material
This isn’t too unlike Igor Ansoff’s Product/Market Expansion grid:
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First steps for formulating paints
Coatings is a material science discipline and no different than any other science. You start with a literature search to understand the landscape. Use Prospector for starting point formulations (SPF), and search patents, applications and non-patent literature to review what exists to provide you a basis for your work. Your company may have an overall IP strategy that drives how and what you formulate, or/and you may want to stick with a trade secret approach. Regardless, it is important to understand the existing landscape including the competition.
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Creating a brand new formula for a new application
I suggest you rely on raw material suppliers’ SPFs to get an idea when creating new formulas. If this is really novel or you are inexperienced, that may be difficult. Talk with your mentor or an experienced colleague who can provide some insights and guidance. Generally, you work backwards to understand the performance requirements and substrates and formulate using materials that provide the performance within the required cost point. This usually dictates the resin/binder used as well as some of the prime pigments. Your company may be more open to the use of raw materials currently not in use, but you will have to defend their use as compared to what is purchased and in use.
In addition, it is rare that new technologies develop simultaneously globally. It is very likely if your geography isn’t leading the way, that there may be some published work on the emergent body of work you are contemplating.
Modifying an existing formula
In the second scenario, you need to have a thorough understanding of the raw materials available to you. As with a new application, unless it is a large-volume item, it is unlikely you will be able to get approval for a new material.
Silver Clip Sterling Money Sterling Money Silver Clip Silver Sterling Sterling Silver Clip Silver Sterling Silver Clip Money Money Sterling As an example, if an interior eggshell formula has poor uniformity over an inexpensive flat paint (enamel holdout), you might be able to replace amorphous silicates with micaceous and platy pigments to improve this result, but perhaps at a slightly higher cost, if you only address one pigment.
If an exterior paint has marginally-acceptable mildew resistance, you may need a blend of mildewcides, an additional additive, or zinc oxide. The addition of the reactive pigment may necessitate the use of a different dispersant to ensure shelf and heat stability.
Generally, you are looking to improve a property while preserving cost, or may be asked to reduce formula cost while maintaining overall performance. Formulation software is very helpful in this regard, once the libraries have been populated with the material data such as typical properties and price. Without it, generation of formulations is highly tedious and prone to accidental errors in calculations.
Using a new raw material
In the third situation, a supplier may discontinue a current raw material or your company may decide to consolidate raw materials. Look at the properties of the material to find an alternate. You will have to evaluate alternates as chemical offsets (equivalents), or functional matches for performance.
Some paint companies evaluate new raw materials of a certain type monthly. January may be the month to compare all new defoamers to incumbent defoamers, in some specific screening formulas.
As a final word of caution, always ensure that you fully understand your working parameters, related to performance, cost and process. It is a variance on the theme of cost, quality and speed. Product development hardly ever takes a short amount of time, so periodically checking with the product owner, your champion and others to ensure you are still properly aligned to the final goal is critical. And remember that failures are not only a learning experience, but sometimes result in the basis for a future innovation.
Further reading:
- How to Reformulate a Premium Ultra Matt Coating
- Shoulder Female Leather Folding Bag Geometric and Travel Bag Lovers Japanese Cube Backpack Rucksack Male Laser Lightgold Lingge Outdoor Patent B1wXCq
- The Challenges of Formulating Universal Colorants
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Thanks Marc for the good information. Formulation software is also a good way to check formulation parameters and costs when replacing raw materials and developing new formulations. Besides Product Vision and Excel (two extremes) can you recommend any commercial software for paint formulation for use in smaller size paint companies?
Sterling Clip Money Sterling Silver Clip Sterling Money Silver Silver Thanks, Peter
Peter,
Handbag Hedgren Hedgren Shoulder Tag Red Descent Black Tag Red Bag n8OORWMy apologies that I don’t always get notified when there is a response. Of course there are many commercial products from which to choose. Some are specific to formulation, and some are secondary to it. In the former, Formulator is a good platform but perhaps an overkill for a smaller company. Valdata offers a single-user free platform and there are others.
Accelrys used to have a part of their platform that could be utilized. Personally, I have created spreadsheets which is obviously time-consuming initially, but if you are a smaller company, it is doubtful that you have hundreds of raw materials. Then you just apply macros for VOC calculations, etc. Sometimes a RM supplier, in their desire to get you to use their products, may offer some software that can be utilized. Many years ago, when Ropaque OP-42 was introduced, R&H provided a (real) floppy disk that was set up to be able to add RM’s to adjust PVC, VS, etc.
Thanks Mr Mark for these precious informations,
I wanted to ask you about the order to incorporate materials in paint production? which quantity shoud we put during the process of grinding or dispersion and adding complements
Thanks
There isn’t a simple answer as it depends upon the type of paint – water, solvent, etc. Also, in waterborne paints, you generally cannot grind/disperse pigments in the resin, but some are shear stable. That is why it is critical to talk with the raw material suppliers – resin, pigments and surfactants (dispersant, etc) are key. Another factor is the fact that what you do in the lab may not be reproducible in production. If you are making small batches, production may equal lab. But some companies produce 10-20,000 gallon batches (38-75,000 L). Look at the starting point formulations in UL Prospector Knowledge Base for examples.